![]() Start with what I call the basic story map, which is things like your protagonist, your theme, your compelling crisis, your compelling crisis is really the core concept of the core conflict of your concept. So first and foremost, how do you story map an idea for television? Well, you I might, I might I might if I could go back with what I have in my head. 1980 turn off if you want to go back the car, the car was taken off? I don't know. I actually saw something on on on Facebook or Twitter that was an image is like, there was a highway and there was a turn off. So I wanted it occurred to me the other day. It is a weird world we live in my friend how weird worse not. And you know, I was telling you offline that I need deadlines and stuff. Instagram, they put out something every single day, which is, which I could never do. Like if you do it every single day, you're gonna get noticed, you know, like, it used to be YouTube stars. I think the key the key with any social media is consistency. Like, how is that? I know, a lot of people listening to the like, I've been busting my ball, and all I have to do is do a good Twitter account. But yes, it makes all the sense in the world because, and I say ridiculous, because it's, it's kind of ridiculous. And then they get noticed, and somebody emails them and says, Hey, you know, do you have a pilot? And it was mostly because he was just hilarious on Twitter, you know, but there's many other instances, mostly in comedy, because people can just kill on Twitter. And he was noticed by Sharon Horgan, who was well known for TV and in the UK, and they ended up co creating that show catastrophe. Well, I mean, they're the biggest story was Rob Delaney, who was kind of already kind of a famous comedian. How does that work? Is that a specific story you know, of it? It's They're just I mean, writers are getting hired off Twitter in some cases, for to staff on shows, you know, how There's a lot more opportunities there's a lot more jobs. If you're a screenwriter you more likely will get a job in television than you will you know writing up a blockbuster. I think there's much more opportunity in television now than there ever was that there there is right now in film and independent film. But I want to kind of focus on that because a lot of people are starting to write more and more for that. But that includes Netflix and Hulu and all the other places we're talking about. I mean, traditional television will just say television for lack of a better term. But specifically for television, because television is the and when I say television, everybody I mean streaming. So I wanted to kind of bring you back on to discuss your amazing concept of story mapping. So the first time I had you on the show, your episode was very, very well received and has been downloaded 1000s and 1000s of times. And we're here to help as much as we can. writers are writing and creators are creating. And, and the creative process has not stopped. But but as they say, in the business, the show must go on in one way shape, or form. It's like everything's kind of on hold.Įverything is just a weird place to be. And we're on the the other timeline, we are just now living in a alternate universe that I didn't sign up for. It's, I keep telling people, I feel like we're back to the future too. Well, you know, just hanging in there in this crazy upside down world. I'd like to welcome back to the show returning champion, Daniel Calvisi How you doing my friend?
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